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A pair of elegant NS plates that can be used to store trinkets, keys and keys, or used as ashtrays.

Diameter: 15 cm.

Material: NS.

Condition: Great.

A beautiful piece for your afternoon tea or coffee - a classically designed late 19th century sugar bowl. 

Diameter: 12,5 cm.

Height: 12 cm.

Material: EPNS.

Condition: Good.

A beautiful little plate oozing with elegance. Works as intended or as a darling key tray in your hallway.

Diameter: 14,5 cm.

Height: 2,5 cm.

Material: Metal. 

Condition: Good.

Decorate your home with these beautiful coaster for bottles, as elegant as handy.

Diameter: 8 cm.

Material: Wood.

Condition: Great.

Decorate your home with this beautiful coaster for bottles, as elegant as handy.

Diameter: 8 cm.

Material: Wood.

Condition: Great.

4 beautiful knives and forks, for fish. In stainless steel and mother of pearl. Will look fantastic as you set the table for a dinner with friends.

Length: 20 cm.

Material: Mother of pearl, stainless steel.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Home Rule", and is a portrait of Mr. Mitchell Henry, M.P., from April 1879.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "the Solicitor-General", and is a portrait of Sir HS Giffard, from March 1881.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Driven grouse", and is a portrait of Sir Charles Freake, from March 1883.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Driven grouse", and is a portrait of R.H.R. Rimington Wilson.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Tracks and Triggers", and is a portrait of Walter Winans.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "The New Forest", and is a portrait of The Hon. Gerald William Lascelles, from September 1897.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Six beautiful plates, from Hartporzellan. Perfect to bring out for afternoon tea.

Diameter: 17,5 cm.

Material: Porcelain.

Condition: Great.

A beautiful porcelain set of kitchen ware, in the form of a tea service. There are 6 cups, 6 tea saucers, all in great condition. A very elegant set to bring out for afternoon tea. 

Measurements: Varying.

Material: Porcelain.

Condition: Great.

Six beautiful cognac glasses. In a perfect size and shape designed for serving cognac or sherry to your dinner guests. 

Height: 9,5 cm.

Diameter: 4 cm.

Material: glass.

Condition: Great.

A beautiful pair of ashtrays oozing with elegance. Works as intended or as a darling key tray in your hallway.

Diameter: 10,5 cm.

Height: 2,5 cm.

Material: Metal. 

Condition: Good.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Mr John Ball jun", and is a portrait of John Ball, from March 1892.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "The Best Game Shot in England", and is a portrait of Earl de Grey, from February 1890.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "pointers", and is a portrait of Richard Lloyd Price, from October 1885.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Letters to young Shooters", and is a portrait of Sir R.W.Payne-Gallwey Bart, from August 1803.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Danny", and is a portrait of Danny Maher. 

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Frank Wootton", and is a portrait of Frank Wootton. 

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "a King's jockey", and is a portrait of Herbert Ebsworth Jones, from september 1904.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "J.E. Watts", and is a portrait of J.E. Watts, from October 1903.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Tom Cannon", and is a portrait of Tom Cannon, from September 1885.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Riversdale Grenfell", and is a portrait of William Henry Grenfell.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Tom", and is a portrait of Tom Cannon, from November 1885.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Hard Hitter", and is a portrait of Captain Edgeworth Johnstone, from July 1896.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "The Best Game Shot in England", and is a portrait of Earl de Grey, from February 1890.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "The Criminal Code", and is a portrait of Sir James F Stephen, from March 1885.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Tom Cannon", and is a portrait of Tom Cannon, from September 1885.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "J.E. Watts", and is a portrait of J.E. Watts, from October 1903.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "a King's jockey", and is a portrait of Herbert Ebsworth Jones, from september 1904.

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Frank Wootton", and is a portrait of Frank Wootton. 

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.

Between 1868-1914 Vanity Fair was a completely different magazine than the one we know today, emblazoned with Hollywood celebrities and pop stars. Don't get us wrong, we LOVE the current Vanity Fair, but the magazine published during the Victorian and Edwardian times had a different schtick. Perhaps the most lasting part of the magazine's legacy are the prints, often called "Spy prints", which depict notable people of the age as caricatures. It became something of an it-factor to appear as a caricature in Vanity Fair. 

This one is named "Danny", and is a portrait of Danny Maher. 

Length: 39,5 cm.

Width: 27 cm.

Material: Paper.

Condition: Great.